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It must be terrific for both Richard and Matthew to know that this is a re-manifestation of the Libyan Sybil. You know, the sort of thing that a timeless prodigy does after spending four years 1508 -1512, on a papal commissioned project and finishes it with one last and final piece that just to demonstrate how immeasurably bad-ass-ness his skillz are! Yeah, something like that.